Playtime Project

A multidisciplinary art project exploring how creativity can resource parents of young children and make visible the lived realities of early parenthood. Led by artist Emma Zangs and a team of collaborators, the project combined a 45-minute multidisciplinary performance, The Kids Are Fine, a family clown show, The Lost Nose, with two models of family play sessions—Moving Words and Big Play.

About Playtime

  • Playtime is a ten years multidisciplinary art project researching how creativity can resource parents and how to make visible the life of parents.  

    We create shows and sessions for parents and families using dance, poetry, light projection, live music and clowning.

    The project started in 2023 and so far we have worked, been supported and funded by Arts Council England, Norwich Theatre Royal Stage Two, St Matthews Church, Copperdot Studio, Norwich Puppet Theatre, The Sainsbury Centre, Dance East, Sadlers Wells, Collusion and Cambridge Junction.

  • 1 in 10 mothers is diagnosed with post-natal depression so there are probably many more undiagnosed. With postnatal depression costing NHS £45m annually & long-term costs of perinatal mental health issues reaching £8.1 billion, there's urgent need for new approaches to parental support.

    As an artist, I started this project out of necessity. When I had my second child, I was diagnosed with postnatal depression. My dance and clowning practice kept me going and gave me the resources and the support that I needed at the time.

    So I ask through this work – Can creativity and spaces of play, resource and support parents? How can we make visible the reality of parents? This question led me to create Playtime and explore ways to resource parents. I am creating spaces of creativity for myself as an artist and so why not bring others along? I am making a show about my lived experience, and so why not bringing other mothers/families along in the process?

  • During our recent three months R&D phase, we tested our family sessions and shared our performance “The Kids Are Fine”.

    The project reached 175 people. (Moving Words35 Participants / Big Play – 72 Participants / Performance Audience – 55 audience / Collaborators – 10 people)

    100% of participants said they wanted more play in their life. Time being the most important barrier to add play. 

    50% of children participants in family sessions were under the age of 1years old. This shows the crucial time and need for spaces of creativity for parents with young children.

    100% of parents were mothers (some were accompanied by their partner). This also shows the need for mothers to find spaces for them and their children.

    Sense of self and Identity

    “I felt that the session made me think more about myself than us.” Moving Words participant.

    “I really relish the opportunity that the space was for me and that we were encouraged to put ourselves first and that it was about us, as individuals.” Moving Words participant.

    Connection & Trace

    “I liked the idea that families have made something before, then there's remnants of that.

    And then we're leaving things for other families, and they're developing and growing. We are creating alone but what we do has a life before us and beyond our time in space.” Big Play Participant

    Space & Permission to play freely

    “At home, you don't have enough space to throw cardboard and stuff around and run around and be stupid. So it was nice to have that big space to do that by having the permissions up on the board and not having to tidy.” Big Play Participant

    Relaxed, Safe and Supporting Space

    “Being on my own just meant that I felt like I could engage a bit more with them in their play and not feel quite so self conscious as if it was a group session.” Big Play Participant

    “I loved that we could make a mess and leave it and not worry about it. And leave without tidying.” Big Play Participant

    Funny and Relatable were the most used words to describe the performance. It proves that we showed reality in a way that was digestible (gentle, fun, poignant, provoking, uplifting, tender etc.) and truthful (authentic, universal, cathartic, validating).  

  • Choreographer / Director – Emma Zangs

    In collaboration with – Marcel and Ernest Zangs      

    Composer and Drummer – Cath Evans

    Music composition – Ulysse Zangs

    Costume Designer / Textile Artist – Alice Bygraves

    Projection Mapping Designer – Robin Fuller

    Poet – Helen Vine

    Photographer and Videographer –   Denisa Ilie

    Press / Administrator – Roanne Bell

    Project Manager – Steph Townsend

    External artistic support – Lucy Enskat and Abby Page

  • We value co-creation. Playtime is made using open ended play time in the studio with both children and adults. Material created during the play sessions is reflected in the performances and sharing of the work.

    We declare a climate and ecological state of emergency. We pledge to create work in ways that think about the planet and its communities. We engage ourselves to think about the materials we use in production, our mode of transports and ethics in our process.

    We place accessibility at the heart of our creative process, ensuring everyone can fully engage and contribute.

“I could feel everything you were doing in my body, the sleepless nights, the holding and rocking, the frustration and the bliss.”

Performances

  • A woman dancing on a dark stage with a wide white skirt, captured with motion blur and dramatic lighting.

    The Kids Are Fine

    The Kids are Fine explores how becoming a mother reshapes body, mind and social connections through movement, rhythm and light projection. Rather than romanticising the experience, this entertaining and thought-provoking piece embraces the full spectrum of contradictions that come with raising children. The Kids are Fine doesn’t offer easy answers but instead revels in the magnificent challenge of caring for young lives while discovering who you’re becoming in the process.

    “My child is 31, and it still resonates with me.” (Fiona D.)

  • A mime artist dressed in traditional black and white with a ruffled collar, holding hands around her eyes as if looking through binoculars, against a black background.

    The Lost Nose

    The Lost Nose is a joyful and interactive performance for children aged 0–5 and their families. It follows a gentle, curious clown who has lost their nose—a key part of who they are—and needs the audience’s help to find it. 

    The performance uses clowning, movement, and sensory play to explore big feelings in a light, accessible way. Designed specifically for early years audiences, it incorporates bright colours, round shapes, and soft textures to stimulate curiosity and encourage participation.

“A reminder to make time to play.”

Workshops

  • A woman and two young children on a red carpet, writing and drawing on a large sheet of white paper.

    Moving Words

    A 90-minute open workshop for mothers with babies or pre-schoolers to gently explore movement and writing as part of their caring journey. Mothers are invited to come for as long or as little as they want and can; the space is open throughout the duration of the workshop.

    In a calm, welcoming space, we’ll move, rest, write, and reflect—connecting with our shifting bodies, emotions, and identities through simple guided exercises. Babies and young children are welcome to be with you throughout, whether playing, cuddling, feeding, or snoozing.

    This is not about doing it “right”—it’s about giving space to your story, your rhythm, and your creativity, just as you are.

  • Children playing and interacting with large, colorful props in an indoor setting.

    Big Play

    What if families could dream up their own playground—together?

    These 45-minute sessions are a chance for grown-ups and their children to co-create playful worlds using giant objects, material, colour, light, and shadow.

    Imagine as you turn everyday materials into something magical. Whether you’re 2 or 42, this is a space to explore side by side—no instructions, no right or wrong, just shared discovery and joyful mess-making.

    This is not about doing it “right”. It’s an open play space for you, your children to immerse into play without goals or the need to make something perfect. Let your mind wander and explore with it. Big Play is an invitation to create playgrounds for your imaginations, and your connection.

What People Are Saying

This felt more for me, than for bonding with my baby. But space for me always makes me feel like a better mother!

— Moving Words Participant

It was so wonderful to not have to worry about things being safe or breaking valuables.

— Big Play Participant

Feeling lighter, feeling seen and held.

— Moving Words Participant

I feel Joy, Freedom, Clarity, Peace, Satisfaction, Love, Happiness.

— Moving Words Participant


A reminder to make time to play.

— Big Play Participant

Inspiration, play ideas, fun and joy.

— Big Play Participant